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63 - CHAUMET Platinum (850 thousandths) ring set with a cushion-shaped sapphire weighing 17.34 carats, the setting highlighted with small round diamonds. Hallmarked. Slightly chipped, missing and stone to be tightened. Accompanied by a gemmological report from GEM PARIS number 20231977088 dated May 12, 2023 stating : - Sapphire origin Myanmar - Burma - No alterations or treatments observed. Also accompanied by a SSEF report number 130606 dated June 29, 2023 specifying : - Sapphire 15.45 x 14.75 x 8.20 mm - Origin: Myanmar - Burma - No indication of heating

Result 570,000 EUR

16 - JEAN-BAPTISTE GREUZE (1725-1805) Diane Canvas Signed upper right JB Greuze and dated 1760 On the back, several labels, including one from the Wildenstein gallery; a N-1230 / d, a label from Pitt and Scott Paris London (handwritten mention Rue saint Florentin 19.3.64). Height: 46.5 cm Width: 38.5 cm Provenance : - Collection of the painter Jean Georges Wille (1715-1808) ; - Collection of the Prince of Bavaria (probably Karl Theodor, 1839-1909); - Graupe Berlin sale September 26, 1930 (A collection of paintings by the princely families of southern Germany) nos. 26 and 27 ; - Galerie Wildenstein , New York and London, 1938 ; - Sale New York (according to Frick Art Référence Library), Sotheby's Parke Bernet New York The Estate of Mrs Orme Wilson March 25-26, 1949, lot 326 ; - Sale Paris, Drouot Rive Gauche, July 11, 1978, Me Ferri, with Callisto (under the following no.); acquired at this sale by the present owners. Exhibition: London, Wildenstein an C° Ltd, Women in France in the XVIIIth century, April-May 1938, no. 10. The painting is illustrated in color in London News, Christmas number, 1938, p.24. Burlington Magazine Vol. LXXII n° 423 June 1938. Bibliography : Camille Mauclair, H. Piazza et Cie, Jean Baptiste Greuze, Paris, 1908, n° 524, Diane. The painting was engraved by Gaillard with the title: Diane, Tiré du cabinet de M. Wille graveur du roi. Despite the absence of the traditional crescent, Diane's attribute, we use the title given in Gaillard's engraving. Gaillard's engraving. ''In July 1760, Greuze delivered to me a bust of a woman, seen almost in profile. the back of her head, her hair falling over her shoulders. The corselet is red and the sleeves are yellow. fichu de mousseline rayé de rouge est knoué en croix sur la gorge" (G. Duplessis, Journal de Wille). "Wille was the friend, the true friend, not the intimate envy of the easygoing and charming talents of his time. In his collection, many paintings, many drawings, revealed a good deed, attested a service, marked a gratitude, recalled one of those bonds that only death could have broken. From the old bottles of wine that the young man emptied at the Gobelins with old Parrocel, to the morning chocolate Madame Greuze offered the old man, - Wille's years passed in loyal and cordial confraternity with all the celebrities of his time; and it's a pleasure to watch with what affection and sincere admiration affection and sincere admiration the friend Wille has for the friend Greuze, that profound and solid painter, as he calls him Greuze and Wille! the two old friends, the two old hearts united! See them visiting little Greuze's nurse! Greuze trace Wille's fine, benevolent face with his best brushes! and see the two of them perched on a ladder, confessing with their noses to the canvas, the Rubens of the Luxembourg twelve feet above the ground - and eighteenth-century judgments! "... (Memoirs and diary of Jean Georges Wille, graveur du roi, published from autograph manuscripts in the Imperial Library by Georges du Plessis with preface by Edmond and Jules de Goncourt, Paris, 1857). From the 1760s onwards, Jean-Baptiste Greuze distinguished himself with his studies of heads, in which he excelled at capturing human emotions with great skill. human emotions with great finesse and intense psychology. These works often depict young girls or children, reflect a heightened sensitivity and marked expressions remarkable technical mastery. Their success was not limited to the general public: they also critics, notably Denis Diderot, who praised their psychological truth and and moral beauty. In the same vein, the introduction in 1759 of the Prix de la meilleure tête d'expression by the Comte de Caylus (1692-1765) illustrates the period's taste for this type of painting. Gaillard's pendant engravings of Diana and Callisto, bearing the cabinet letter of Jean-Georges Wille, confirm that the two paintings were in Wille's collection together. The Diane was delivered to Wille in July 1760, as his diary indicates, while Callisto was exhibited at the exhibited at the Salon of 1761 as Tête de nymphe de Diane (n°103), and acquired by Wille before or after this Salon. Salon. At the Salon of 1765, Greuze's last, Diderot expressed his pleasure at a study for La Mère bien aimée. study for La Mère bien aimée, on loan from Baron Pierre Joseph Victor de Besenval, Inspector General of the French Swiss and Grisons. He raved: "It's still quite a beautiful thing. It's full of the truth of flesh, and infinitely infinite softness. She's well built, but a little gray; the corners of her mouth drooping give her an air of

Result 400,000 EUR

11 - [ATLAS - PTOLÉMÉE (Claude). Clavdii Ptholomei Cosmographi, REGER (Johannes) - Registrvm Alphabeticvm svper octo libros Ptolomei incipit feliciter. -- De locis ac mirabilibvs mvndi. et primo de tribvs orbis partibvs. Impressvm Vlme opera et // expensis Ivsti de Albano // de Venetiis per provisorem // svvm Iohannem Reger. An//no. Domini. m.cccc.lxxxvi. // xii. Kalendas. Avgvsti., [Ulm, Johannes Reger & Justus de Albano, July 21, 1486]. In-folio (287 x 395 mm), calf, broad cold-stamped framing decoration on boards, ornate ribbed spine (E. Capelle Rel). 204 ff. signed A-B8, C10, D-E8, a10, b-i8, 64 ff. [32 unsigned double-cards], a-c8. SECOND EDITION OF PTOLÉMÉE'S COSMOGRAPHIA, translated from Greek into Latin by Jacobus ANGELUS and edited by Nicolaus GERMANUS after the first edition given by Leinhart HOLLE in 1482. This edition is augmented by Johannes REGER's "Registrvm Alphabeticvm svper octo libros Ptolomei incipit feliciter." of 42 ff. (quires A to E), and "De locis ac mirabilibvs mvndi. et primo de tribvs orbis partibvs." of 24 ff. (second quires a to c). 32 wood-engraved double-page COLOR MAPS by Johannes von ARMSHEIM after Nicolaus GERMANUS (including a world map, fourteen of Europe, four of Africa & thirteen of Asia); numerous watercolor initials, including two historiated ones, one depicting Nicolaus Germanus offering his book to Pope Paul II (a1), the other Ptolemy holding a sphere and compass (a2 v°); four woodcuts of geometrical figures in the text (a10 v°, b1 v° & b2), & printer's mark on colophon. Headcap damaged; rubbing; a short-margined copy, with several maps having their titles and some captions shortened, and the world map having lost the upper part of its frame bearing the signature: "Insculptum est per Johanne Schnitzer de Armszheim"; all leaves affected by damp and restored in the 19th century in their upper corners and margins, some in their centers; some forty with small losses of text and some ten maps affected in their centers with very small restored losses; three leaves particularly damaged and restored (second leaves c5, c6 & c7); some handwritten annotations from the period. Campbell, Earliest Maps, 179-210. ATLAS & PTOLÉMÉE, see also no. 91.

Result 160,000 EUR

17 - JEAN-BAPTISTE GREUZE (1725-1805) Callisto Canvas Signed upper right JB Greuze and dated 1760. On the back, several labels including one from the Wildenstein gallery; a N° 1231 /d, a label from Pitt and Scott Paris Londres (mention manuscrite Rue saint Florentin 19.3.64). Height 46.5 cm - Width 38 cm Provenance : - Collection of the painter Jean Georges Wille (1715-1808) ; - N°50 sale, December 5, 1859 (according to Mauclair); - Jong sale, London, February 10, 1862, 3,000 francs (Laneuville, expert) (according to Mauclair); - Collection of the Prince of Bavaria (probably Karl Theodor, 1839-1909); - Graupe Berlin sale September 26, 1930 (A collection of paintings by the princely families of southern Germany) nos. 26 and 27 ; - Galerie Wildenstein, New York and London, 1938; - Sale New York (according to Frick Art Référence Library), Sotheby's Parke Bernet New York The Estate of Mrs Orme Wilson: March 25-26, 1949, lot 326 ; - Sale Paris, Drouot Rive Gauche, July 11, 1978, Me Ferri, with Diane (under previous no.); acquired at this sale by the current owners. Exhibition: Salon of 1761, under the title Une Tête de Nymphe de Diane (according to Mauclair, could be the motif that passed at the sale of 11 prairial an VII, 252 francs"). Engraved by Gaillard with the mention "Tiré du cabinet de M. Wille". Bibliography: Camille Mauclair, H. Piazza et Cie, Jean Baptiste Greuze, Paris, 1908, no. 439, Calisto. Two other versions of this painting exist: one was in the Galerie Cailleux in 1981, the other is in the Nationalmuseum in Stockholm (perhaps a copy?). A copy by a follower of Greuze was sold by Me Osenat on 27/01/2024 (lot 137).

Result 160,000 EUR

27 - LÉONARD TSUGUHARU FOUJITA (1886-1968) Virgin and Child, 1918 Gouache and gold paint, signed lower right Height 44.5 cm - Width 28.5 cm Scratches Bibliography La vie et l'œuvre de Léonard-Tsuguharu Foujita by Sylvie and Dominique Buisson, ACR Édition, Paris, 1987, described and reproduced on page 348 under N°18.08

Result 195,000 EUR

21 - ZHURAVLEV Firs (1836-1901) Jeune fille en kokochnik Toile d'origine, signée en bas à droite Haut. 66 cm - Larg. 54 cm Firs Sergeevitch Zhuravlev, l'un des meilleurs peintres réalistes de l'art russe du milieu XIXe siècle. Membre de l'Académie des Beaux-Arts de Saint-Pétersbourg et de la « révolte des quatorze », l'un des fondateurs de l'Artel des peintres de Saint-Pétersbourg. Il a participé aux Expositions Universelles de Philadelphie (1876) et de Paris (1889). Les oeuvres de Firs Zhouravlev n'existent quasiment pas sur le marché et se trouvent principalement dans les collections muséales russes.

Estimate 20,000 - 30,000 EUR

42 - A 995 THOUSANDTHS GOLD INGOT with its Anciens établissements Léon Martin assay bulletin dated October 23, 1980 - numbered 457292, mentioning the gross weight: 1,000 g and the fine gold weight 995 g. Sold by designation. Offered by an anonymous donor.

Result 128,500 EUR

184 - Pair of porcelain and polychrome enamelled CUPS on heel decorated with flowering branches in circular medallions on a sky blue background with foliage in light relief. The interior enamelled in blue under cover of flowering shrubs. China, mark under the base. Very small crack in a medallion. Height 6,5 cm - Diameter 15 cm

Result 90,000 EUR

62 - VAN CLEEF & ARPELS Platinum (850 thousandths) and white gold (750 thousandths) flower brooch set with navette and round brilliant-cut diamonds, the stem adorned with baguette-cut diamonds. Signed and numbered. Missing pin. Height: 5.5 cm Gross weight: 27.5 g

Result 56,000 EUR

309 - DAYBED - GILBERT POILLERAT (1902-1988) Featuring a silver-patinated square iron frame with a headboard and footboard featuring openwork ogives connected by small flattened spheres; the upper section is adorned with four spheres, and the side rail features openwork bars and an oval in the center. Corner base with tapered legs ending in circular feet. Upper spheres, flattened; hollowed-out oval; and base accented with gilding. Oxidation, small scratches, and soiling H 108 cm - L 194 cm - Depth: 94 cm Included are: a mattress, a box spring, cushions, and a backrest upholstered in blue fabric. Tears in the fabric and small stains. History: A similar model was exhibited at the 1953 Salon des Artistes Décorateurs. Bibliography: - René Chavance, “Les artistes décorateurs et le tourisme,” Mobilier et Décoration, June 1953; similar model reproduced on p. 24. - Michel Dufet, “Decorative Artists Address the Challenges Posed by Tourism (The Hotel Room),” *Le Décor d’Aujourd’hui*, no. 79, June 1, 1953; a similar model is reproduced on p. 207. - “Gilbert Poillerat—Metalworker, Bronze Artist, and Master of Ornament,” *Art et Industrie*, January 1, 1954; a similar model is reproduced on p. 16. - François Baudot, Gilbert Poillerat—Master Ironworker, Éditions Hazan, Paris, 1992, similar model reproduced on p. 236.

Result 55,000 EUR

62 - LÊ THI LUU (1911-1988) The big sister Gouache and ink on silk, signed lower right Height 34 cm - Width 27 cm Provenance : Galerie J. Le Chapelin, 71 Faubourg Saint-Honoré 75008 Paris French private collection, bought in the 70's by the parents of the present owner who received it as a gift for his majority

Estimate 10,000 - 15,000 EUR

59 - DIAMOND RING 18k (750 thousandths) white gold set in the center with a round brilliant-cut diamond weighing 7.68 ct between lines of round brilliant-cut diamonds. (Diamond to be tightened) TDD : 52.5 - Gross weight : 7.2 g Accompanied by a CGL diamond report n°32125 dated 10/09/2024 specifying: - Mass: 7.69 carats - Color: L - Clarity: VS2 - Fluorescence: "Faint - Dimensions: 12.94 - 13.02 x 7.72 mm

Result 45,000 EUR

21 - JEAN-BAPTISTE PERRONNEAU (PARIS CA. 1715 - AMSTERDAM 1783) Portrait présumé de François Gorsse en habit gris Pastel Haut. 57 cm - Larg. 47 cm Non signé Au revers une inscription ancienne "Par Jean-Baptiste Perroneau peintre du roi, Bordeaux, décembre 1757" Le tableau a figuré dans l'exposition d'Orléans, comme un portrait présumé de François Gorsse, sous le n°60 Provenance : Château de Gorse (ensuite château Brane-Cantenac, Médoc) jusqu'en 1766; Château La Bégorce, Pierre Clair de Gorsse (1726-1803); Château La Bégorce, son fils, François Vincent de Paul de Gorsse (1765-1818); Château La Bégorce, sa fille, Aurélie Gorsse (1804-1887); Besançon, vente, Renoud-grappin, 19 février 2006, n°0; Paris, galerie Pascal Zuber et Etienne Breton, septembre 2007; Paris, vente Hôtel Drouot, Libert, 11 juin 2008, n°60, ill. Bibliographie : - Dominique d'Arnoult, " Jean Baptiste Peronneau ca.1715-1783 Un portraitiste dans l'Europe des lumières", Arthena, Paris, 2014, p.264, n°178 Pa, reproduit en couleur p.147. - catalogue de l'exposition "Jean Baptiste Perronneau, portraitiste de génie dans l'Europe des Lumières", p.124, n°60 (notice par Dominique d'Arnoult).

Result 45,000 EUR

52 - ANTONIUCCI VOLTI (1915-1989) Three Graces, circa 1959 Bronze proof with green patina shaded with brown Foundry stamp on base: Cire perdue/Bisceglia. Signed and numbered on the base: 3/6 Height 49 cm - Width 33.5 cm - Depth 10.5 cm Antoniucci Volti developed a recognizable style early on, combining sensuality of form and sobriety of volume. Deeply influenced by ancient sculpture, but also by Rodin and Maillol, Volti's work celebrates the female body, which he treats with an almost meditative gentleness. The bronze sculpture of the Three Graces we are offering for sale fully embodies this ideal of harmony and timeless beauty. Bisceglia Frères was an important art foundry, active between 1904 and 1962. Around 1907, Mario Bisceglia, originally from Turin, set up his own foundry in Paris with two of his brothers, Dominique and César. He moved to Malakoff around 1930. Bisceglia hired Tullio Clementi, then later in 1940, Turriddu, who had completed his apprenticeship at Susse and Valsuani. The foundry only produced pieces less than 1.50 m tall, and was renowned for its particularly meticulous patinas, like that of our Three Graces. Bibliography: E. Lebon, Dictionnaire des fondeurs de bronzes d'art, Ed. Marjon, 2003, pp. 116-118 The numbered 1/6 copy of Les Trois Grâces also cast by Bisceglia Frères, purchased at the Salon des Tuileries in 1959, is now in the Musée d'Art Moderne de la Ville de Paris (ref. AMS 1).

Result 42,000 EUR

64 - LE PHO (1907-2001) Bouquet of flowers in a white vase Oil on silk mounted on panel, signed lower right Cracked and small missing on the left border Height 45 cm - Width 32 cm

Estimate 8,000 - 10,000 EUR

146 - ANTONIUCCI VOLTI (1915-1989) Crépuscule, vers 1967 Épreuve en bronze patiné, signée, numérotée 1/6, cire perdue, E. Godard fondeur, Malakoff Patine oxydée Haut. 34 cm - Long. 98 cm - Prof. 47 cm Nous remercions Nicolas Antoniucci, fils de l'artiste, qui a aimablement confirmé l'authenticité de cette oeuvre.

Estimate 20,000 - 30,000 EUR

10 - FRENCH SCHOOL VERSUS 1630, ENTOURAGE DE JACQUES LINARD Portrait formerly known as Marie-Anne de La Trémoïlle, Princesse des Ursins Canvas Restorations Exceptional gilded wood cassetta frame, 17th-century Bolognese (?) work Height 106 cm - Width 86.5 cm Provenance: Tradition has it that this painting came from the Château de Chanteloup, owned by the Duc de Choiseul. The model, with abundant hair falling over a wide lace collar, is holding a rosary of semi-precious stones: green agate, jade (Guatemala, Burma), turquoise, chrysocolla (mined in Mexico, Peru, Africa; used in jewelry since antiquity). The lace on the collar seems to be of Dutch origin (Delft?), and similar models can be found in the portraits by Jan Michel Van Mierevelt, while the still life of flowers on the table calls for the name of Jacques Linard or Louise Moillon.

Result 39,000 EUR

58 - Gustave COURBET (1819-1877) and Cherubino PATA (1827-1899) The Chillon Castle and the "dent du midi", circa 1876-1877 Oil on canvas, signed lower left Height 87,5 cm - Width 120 cm Provenance : - Former Blétry collection, 1928 - Former Roger-Petit collection - By descent to the present owner (Restorations mainly in the sky) Jean-Jacques Fernier on November 23, 1995 indicated: The examination of this work, in its time, had allowed me to conclude that it was probably a work of collaboration of Cherubino Pata and Gustave Courbet, carried out in the workshop of the Tower of Peilz about 1876/77. This is why I will include it in the next edition of the Catalogue Raisonné of the Works of Gustave Courbet, which is currently being prepared.

Result 38,000 EUR

251 - FRANÇOIS POMPON (1855-1933) Dindon, 1925 Épreuve en bronze patiné, signée, cire perdue, C. Valsuani fondeur, Paris Hauteur : 25 cm Expositions : - IIIe Salon des Tuileries, Palais de Bois, Porte Maillot, Paris 16 mai-juillet 1925, un exemplaire similaire sous le titre, Paris, sous le titre Dindonneau - Un exemplaire similaire dans les collections du Musée du Petit Palais, Paris, sous la référence PPS 1483 Bibliographie : - François Pompon 1855 1933 par Catherine Chevillot, Liliane Colas et Anne Pingeot, Gallimard/Electa Réunion des Musées Nationaux, 1994, un exemplaire similaire est décrit page 201 sous le N°89 et reproduit pleine page en couleurs planche 25

Result 33,000 EUR

55 - BRACELET Articulated platinum (850 thousandths) and white gold (750 thousandths) set with fourteen round brilliant-cut diamonds alternating with baguette-cut diamonds. Length: 18.5 cm Gross weight: 24.6 g Can form a necklace with lot 59

Result 30,500 EUR

181 - A baluster vase with a high flared heel in porcelain and doucai enamels decorated with two dragons chasing the sacred pearl on a background of floral scrolls. Two handles with zoomorphic heads holding rings on the shoulder, the neck and base decorated with a frieze of ruyi. China, 18th century Ground neck Height 33,5 cm

Result 30,500 EUR

65 - STERLÉ PARIS, signé et numéroté. BAGUE en or jaune 750 millièmes et platine 850 millièmes gravé à décor de fil d'or torsadé retenant au centre un saphir coussin dans un entourage de diamants ronds de taille brillant et taillés en huit-huit. Égrisures Doigt : env 58,5 - Poids brut : 14,7 g Accompagné d'un rapport du SSEF n°86417 du 27/09/2016 précisant : - Masse : 20.138 ct - Origine : Ceylan (Sri Lanka) - "No indications of heating" - Dimensions : 14,77 x 12,25 x 9,80 mm

Estimate 7,000 - 10,000 EUR

61 - BRACELET Articulated platinum (850 thousandths) and white gold (750 thousandths) with radiating decoration, the center adorned with round brilliant-cut diamonds between lines of trapeze and baguette-cut diamonds shouldered with round brilliant-cut diamonds. Approx. 18 cm long Gross weight: 59.5 g

Result 27,500 EUR

74 - Maurice UTRILLO (1883-1955) Winter, The bell tower of the church of Villennes-sur-Seine Oil on panel, signed lower right Height: 22 cm - Width: 27 cm Provenance : - Galerie Odette Pétridès, Paris

Result 27,000 EUR

171 - CHINA - 19th century Small porcelain bowl decorated in blue underglaze with lake and mountain scenery and poem. (chips on the heel, small firing cracks on the reverse of the lip of the neck) Height: 14 cm

Result 26,000 EUR

15 - [CHINE - HELMAN (Isidore Stanislas)]. o Faits mémorables des Empereurs de la Chine tirés des Annales chinoises, dédiés à Madame, orné de 24 estampes in 4° gravées par Helman, d'après les dessins originaux de la Chine, tirés du Cabinet de Mr Bertin, Mtre et ancien Sre d'Etat. A Paris, Chez l'Auteur, Graveur de Madame, et Chez M. Ponce, graveur de Mgr le Comte d'Artois, s. d. [1786, 1783 & 1784]. 2 titres (et trois parties) en un volume grand in-folio, maroquin rouge, large décor d'encadrement aux petits fers ornant les plats, dos lisse orné du même décor, tranches dorées (reliure début XIXe s.). Ouvrage entièrement gravé, composé de 25 planches formées chacune de deux pages placées côteà- côte au recto et ornées d'un cadre aquarellé jaune : un titre accompagné d'une dédicace ornée d'une vignette d'en-tête héraldique et 24 autres planches portant, à pleine page et à gauche, 24 figures (12,8 x 19 cm, avec le cadre). Ouvrage entièrement gravé, composé de 25 planches formées chacune de deux pages placées côte-àcôte au recto et ornées d'un cadre aquarellé jaune : un titre accompagné à droite d'un portrait de Confucius, une double page de texte et 23 autres planches portant, à pleine page et à gauche, 23 figures. Ouvrage entièrement gravé, composé de 24 grandes planches (41 x 23,5 cm) avec légendes en pied, signées en bas à gauche : « Joan Dionis attiret Soc. Jesu Missionarius delineavit », « F. Joannes Damacenus [] », « Joseph Castilhoni [], 1765 » et à droite : « Helman sculpsit 1783 [ou 1784, ou s. d.]. » Taches rousses marginales sur quatre grandes aquarelles, mais TrÈs BELLE TRIPLE SUITE aquarellÉe à l'Époque, dans une reliure en maroquin À dentelle. Il s'agit de la réduction des grandes planches gravées d'après les dessins d'ATTIRET sur ordre de l'Empereur de Chine. RARE RÉUNION de TROIS SUITES CONSACRÉES À LA CHINE. Voir les

Result 26,000 EUR

48 - HENRI LEBASQUE (1865-1937) Lagny, maisons au bord de la Marne, vers 1906-1907 Huile sur toile, signée et dédicacée en bas à droite Accidents Haut. 65 cm - Larg. 54 cm

Result 26,000 EUR

1 - [ILLUMINATED MANUSCRIPT HOURS / LYON]. Livre d'heures à l'usage de Rome (circa 1510/1520). In a small in-8° volume (115 x 173 mm), green velvet, metal spandrels, clasps with coat of arms, gilt edges, red embroidered silk lining and endpaper (17th c. binding). CHARACTERISTICS 170 vellum pages. 13 lines per page. Text in Latin (except for the calendar and a prayer [ff. 34 v° to 35 r°], in French), in black and red ink. ink; advertisements. CONTENTS - ff. 1 to 12: calendar of saints (in French, universal use, not specific to Lyon); - ff. 13 to 15: beginning of the Gospel according to St. John; - ff. 16 to 22: prayer to the Blessed Virgin (Obsecro te): in masculine form "Et michi famulo tuo [...]" (f. 20); - ff. 23 to 28 v°: Hours of the Cross; - ff. 29 to 34: Hours of the Holy Spirit; - ff. 34 v° to 35 r°: Prayer of Saint Louis (in French and red ink); - ff. 35 v° to 38 r°: Seven prayers of Saint Gregory (O Domine Ihesu Criste adoro te in cruce pendentem [...]) ; - f. 38 v° : blank ; - ff. 39 to 41 v°: beginning of the Gospel according to Saint Luke ; - ff. 42 to 44 v°: beginning of the Gospel according to Saint Matthew; - ff. 44 v° to 46 v°: beginning of the Gospel according to Mark; - ff. 47 to 50: Prayer (O Intemerata) ; - ff. 51 to 66 v°: Hours of the Virgin, according to Roman usage, matins; - ff. 67 to 86 r°: Hours of the Virgin [...], Lauds ; - ff. 86 v° to 92 v°: Hours of the Virgin [...], prime ; - ff. 93 to 98 r°: Hours of the Virgin [...], tierce ; - ff. 98 v° to 101 v°: Hours of the Virgin [...], sexte ; - ff. 102 v° to 107 r°: Hours of the Virgin [...], none ; - f. 107 v° : blank ; - ff. 108 r° to 117: Hours of the Virgin [...], vespers ; - ff. 118 to 123: Hours of the Virgin [...], compline; - f. 124: ruled blank ; - ff. 125 r° to 150 v°: Penitential psalms, followed by litanies of the saints (ff. 145 to 148 r°), followed by prayers; - ff. 151 to 155 v°: suffrages to the saints (saints Como and Damian [f. 151], St. Catherine [f. 152], St. Margaret [f. 153 v°], Saint Barbara [f. 154] ; - f. 156: ruled blank ; - ff. 157 to 161: continuation of suffrages, with prayer, "Fidelium deus omnium [...]"; Saint Francis [f. 157 v°], Saint Sebastian [f. 158], Saint Anthony [f. 159 v°], Saints Luke and Pantaleon [f. 161] ; - ff. 162 v° to 169: Office of the Dead ; - f. 170: 16th-century livre de raison (Seve and Rege families). ILLUSTRATIONS Eighteen large miniatures (with gilded architectural frames, putti, sometimes with small biblical scenes in the pediments): - f. 13: Saint John the Evangelist on the island of Patmos ; - f. 16: Mater dolorosa ; - f. 23: Crucifixion with donor kneeling (garment with traces of blood?) and presented by a bishop (not nimbed); - f. 29: Pentecost; - f. 35 v°: Mass of St. Gregory, painted coat of arms in frame; - f. 39: Saint Luke the Evangelist; - f. 42: Saint Matthew the Evangelist; - f. 45: Saint Mark the Evangelist; - f. 51: Annunciation [Hours of the Virgin, matins]; double coat-of-arms painted in frame; - f. 68: Visitation [Hours of the Virgin, Lauds] ; - f. 86 v° : Nativity [Hours of the Virgin, prime] ; - f. 93: Announcement to the shepherds [Hours of the Virgin, tierce] ; - f. 98 v° : Adoration of the Magi [Hours of the Virgin, sexte] ; - f. 103: Presentation in the temple [Hours of the Virgin, none] ; - f. 108: Flight to Egypt [Hours of the Virgin, Vespers] ; - f. 117 v°: Coronation of the Blessed Virgin [Hours of the Virgin, compline] ; - f. 125: King David kneeling before God, his harp at his feet; - f. 162: Job on his dung heap. six small miniatures : - f. 151: Saints Como and Damian ; - f. 152: St. Catherine; - f. 153 v°: Saint Margaret; - f. 154 v°: Saint Barbara; - f. 158 v°: Saint Sebastian; - f. 161: St. Luke and St. Louis (?) [if the suffrage is in honor of St. Luke and St. Pantaleon, it seems that Saint Louis was depicted instead of Saint Pantaleon]. ORNAMENTATION Numerous red or blue painted and illuminated initials, including EIGHTEEN LARGE & 25 BORDERED with birds, insects & snails; numerous line-ends; headings in red. in red. ORIGIN Manuscript most likely copied and painted in Lyon by the "Maître des Entrées de François Ier", one of two important artists who dominated the illuminated manuscript market in Lyon between circa 1485 and 1520. the illuminations of Pentecost (f. 29) and Saint John on Patmos (f. 13) are more likely to be attributed to the "Maître des Alarmes de Mars" or the "Maïtre de Keble College 7", both of whom were

Result 24,500 EUR

11 - ATTRIBUTED TO FRANCESCO MARIA MAZZOLA known as PARMIGIANINO (1503 - 1540) Self-portrait Canvas Old restorations, strip of canvas approx. 2 cm added at top Empire period oak and gilded stucco frame (probably chosen by Vivant-Denon) bearing the name Parmesan and a N°61 Height 27 cm - Width 22.5 cm Provenance : Collection Dominique Vivant Denon (1747 - 1825). Engraved by Valentin with the title: Tiré du cabinet de M. Denon (M. Mussini, Parmigianino tradotto, Cinisello Balsamo [Milano], 2003, pp. 195-96, no. 400). This canvas can be related to two works by Parmesan: the drawing with profile portrait (Vienna, Albertina) and the figure of Saint Joseph in the "Mariage mystique de sainte Catherine" (Louvre, department of paintings). Our painting comes from the prestigious collection that Dominique Vivant Denon (1747-1825), diplomat, archaeologist, artist and first director of the Louvre, meticulously and passionately assembled throughout his life, which included antique sculptures, Italian Renaissance paintings, Egyptian objets d'art, as well as rare engravings and drawings. A great traveler accompanying the imperial armies, he brought back numerous artifacts from his expeditions, notably the Egyptian campaign, which fueled the West's fascination with the Orient. These acquisitions enriched both the collections of the Louvre and his own private collection, and it is through his blend of scientific and aesthetic curiosity that his cabinet illustrates the encyclopedic spirit of his era.

Result 23,000 EUR

258 - ARMAN, ARMAND PIERRE FERNANDEZ dit (1928-2005) Vertical Orchestra, 1984 Unique piece, bowl of violins, cellos and bows in bronze with gilded, brown and black patina, signed. Height 165 cm - Width 80 cm - Depth 25 cm Provenance : - Raymonde Cazenave Collection, circa 1990 - By descent to the current owner Durand-Ruel archive no. 3135 This work is referenced in the Arman Studio Archives New York under N° APA# 8306.84.017

Result 23,000 EUR

135 - CHINE - XVIIIe SIÈCLE COUPE LIBATOIRE en corne de rhinocéros à décor sculpté sur la panse d'une frise de masques de taotie, et en relief de six chilong courant sur la panse, dont deux formant anse. Au revers, la marque apocryphe Xuan He. Accidents et restaurations Haut. 11 cm - Long. 17,8 cm - Poids : 219 g Déclaration CITES n° FR1907519783-D

Result 22,000 EUR

75 - Édouard VUILLARD (1868-1940) Nude in the studio, circa 1910 Oil on cardboard, stamped with the initials on the lower right side Height 24 cm - Width 24 cm Provenance : - Artist's studio - Jean-Claude Bellier Gallery - Sale London, July 1, 1992, N°26 of the catalog - Sale Hôtel Drouot, Paris, April 3, 1998, N°10 of the catalog - Private collection Bibliography : - Vuillard Le Regard innombrable - Catalogue critique des peintures et pastels, by Antoine Salomon and Guy Cogeval, volume II, Skira/Seuil- Wildenstein Institute, 2003, described and reproduced on page 1075 under N°IX-99 with the following comment: Under the glass, against the light, the model is sitting on a straw chair. Behind, trestles. Purple and pink stains on the wall. Small suggestive study where the unprepared gray-green cardboard plays on all sides under the light spots.

Result 21,500 EUR

259 - ARCHITECTURAL PROJECT DEDICATED TO PRINCE GUILLAUME V OF ORANGE-NASSAU BY HENDRICK LOTSY, 1765 in boxwood, consisting of various elements carved in bas-relief and removable, depicting a citadel project by the military engineer Hendrick Lotsy. Dedicated in a cartouche at bottom center: Project/Van Een Seshoek/Geformeert Terinstructie Van Zyne/Doorlugtige Hoogheid/Willem de Vde Prince Van/Orange en Nassau/&c&c&c/Door den Ingenieur Lotsy/1765/Schaale van 48 Toisen Cracks, small missing parts Height 90 cm - Width. 150 cm We know of another comparable wooden model by the engineer Lotsy, built in 1769 for Fort Leyden at the mouth of the Commewijne River in Suriname, to protect the new colonies from maritime attack, now in the Rijksmuseum (Ref. NG-NM-141).

Result 21,000 EUR

52 - JEAN-BAPTISTE CAMILLE COROT (1796-1875) Rivière en sous-bois Huile sur panneau, porte le timbre de la vente de l'atelier en bas à gauche et cachet de cire de la vente de l'atelier au dos Haut. 26,5 cm - Larg. 37 cm Il s'agit vraisemblablement du numéro 350 de la vente Corot, deuxième partie Tableaux, Études, Esquisses, Dessins, Albums de Croquis, Hôtel Drouot, Paris, 31 mai - 2 juin 1875 : Préparation pour paysage composé bois parqueté 27 x 37 cm ainsi décrit mais non illustré. Nous remercions Martin Diéterle et Claire Lebeau qui ont aimablement confirmé l'authenticité de cette oeuvre et qui nous ont indiqué qu'elle figurera dans le prochain supplément à l'oeuvre de Corot par Alfred Robaut actuellement en préparation.

Result 20,500 EUR

6 - FRENCH EDUCATION OF THE LATE 18th CENTURY - EARLY 19th CENTURY Allegories of the seasons and trophies Nine oils marouflaged on canvas or isorel forming panels of woodwork in trompe-l'oeil in trellises with Rocaille decoration of putti, garlands of flowers and bows of ribbons Height 258 cm (except the largest 250 cm) - Width between 32 and 204 cm Variable widths: one 32 cm panel, two 44 cm panels, one 62 cm panel, one 108 cm panel, two 142 cm panels, one 150 cm panel and one 204 cm panel Framed, old restorations, small accidents and some panels probably later

Estimate 4,000 - 6,000 EUR

54 - MAUBOUSSIN Platinum (850 thousandths) ring set with a round brilliant-cut diamond weighing 4.08 carats between two baguette-cut diamonds. Signed and numbered Gross weight: 4.9 g TDD : 48.5 (diamond to be tightened)

Result 20,200 EUR

249 - CHARLES CORDIER (1827-1905) Young female fellah in harem costume Model created in 1866 Gilt bronze and silver-plated bust Located, dated and signed: ''LE CAIRE/1866/ CCORDIER'' under the left arm cutout. Height: 44 cm Related literature Christine Barthe, Laure de Margerie, Charles Cordier (1827-1905), L'autre et l'ailleurs, Ed. de la Martinière, Paris Martinière, Paris, 2004, pp.180-181 Related works : -Charles Cordier, Jeune femme fellah en costume de harem, 1866, plaster bust, dim 81.3 x 48.8 x 31.1 cm, Roubaix La Piscine, Musée d'Art et d'Industrie André-Diligent, FNAC deposit, inv. 3167-890-38 ; -Charles Cordier, Jeune femme fellah en costume de harem, 1866, silvered bronze reduction on gilded bronze pedestal, signed "Le CAIRE / 1866 / CCORDIER", H. 44 cm, Cairo, Mahmoud-Khalil Museum, inv. 27 (S).

Result 18,000 EUR

112 - OLIVIER DEBRÉ (1920-1999) Light ochre, 1976 Original canvas Signed, titled, located and dated on reverse Height 60 cm - Width 73 cm Provenance: Galerie Ariel - Galerie Ariel inventory no. 8427 - Briest sale, March 21, 2001 lot n°482 A great colorist and major figure of lyrical abstraction, Olivier Debré is often described as the French counterpart to Mark Rothko. He perfected his style in the 1960s when confronted with Scandinavian nature and the impermanence of its landscapes. Nature was to be his strongest source of inspiration, and his technical signature was the application of paint with a knife and a palette described as "warm" and free. The lyrical abstraction movement emerged in opposition to the geometric abstraction of Piet Mondrian and Wassily Kandinsky. Olivier Debré's work came to the attention of French museums in the 1980s. Our work is part of this period, and is similar in smaller dimensions to Ocre blanche d'hiver (1980), acquired by the Centre Pompidou.

Result 18,000 EUR

216 - BULGARI LADY'S SERPENTI SPIGA MODEL WATCH, CIRCA 2015 in white ceramic, set with 18k (750 thousandths) pink gold links and paved with diamonds. Bezel highlighted with diamonds, white dial, Roman numeral hour markers for the hours and half-hours, winding mechanism studded with a pink tourmaline cabochon. Quartz movement. Brand-new condition. Accompanied by its original case, surboîte and warranty. Code : 102-202 Case number : PO2488 Gross weight : 102 gr

Result 18,000 EUR

49 - LÉON DETROY (1857-1955) Paysage creusois en automne Huile sur toile, signée en bas à gauche Haut. 65 cm - Larg. 81 cm

Result 18,000 EUR

152 - KINGDOM OF THE TWO SICILES ORDER OF SAINT JANVIER, created in 1738 Rare set of knight of the order: -Gold and enamel jewelry. Cross with four double branches enameled white border and red flames, with fleur-de-lis interspersed between the branches. Obverse of the center with the Saint blessing, holding two full bulbs. Reverse of the center with two bulbs in a frame of green enameled foliage scrolls. With its scarf and knot Diameter : 61 mm. Gross weight : 40 g. -Plate in silver, gold and enamel. Star in silver repercé. Enamelled gold saint motif (small chip on the mitre). Reverse side with two hooks and a rocking pin. Boar's head hallmark. Mark of the manufacturer " KRETLY, N°46 PALAIS ROYAL PARIS ". Diameter : 83 mm. Gross weight : 63 g. In its case covered with morocco, lined with velvet in shape. Cover lined with silk marked "KRETLY BREVETE SGDG DECORATIONS & RUBANS PALAIS ROYAL GALERIE MONTPENSIER". Attached is the small ceremonial necklace of the order in enameled gold (damaged), with thirteen links (missing the clasp and the terminal jewel). T.T.B. Mid 19th century. Presumed provenance: -Libert sale of June 20, 2012, lot 86, from the LA ROCHEFOUCAULD family and the Dukes of Richelieu. History: This set may have belonged to several members of the family, the 1861 almanac references two titular members of the order: -The Duke of Doudeauville, Louis François Sosthène I de La Rochefoucauld (1785-1864) -The viscount of La Rochefoucauld, his son, Augustin Marie Mathieu Stanislas (1822-1887)

Result 17,500 EUR

193 - ÉCOLE ITALIENNE DE STYLE RENAISSANCE L'Enfant Jésus et Saint Jean-Baptiste enfant Plaque de marbre sculptée en léger relief Accidents et anciennes restaurations Haut. 24 cm - Larg. 29 cm

Result 16,000 EUR

109 - TORSE acéphale masculin vêtu d'une toge élégamment drapée, formant plusieurs plis, rabattue sur l'épaule gauche et retombant sur l'avant bras. Marbre Époque romaine Sans socle Haut. 55 cm

Result 16,000 EUR

270 - EUGÉNIE JUBIN O'KIN (1880-1948) " Jeune femme à l'éventail ". Sculpture en ivoire, taille directe rehaussée d'or et de petits clous dorés. Signée du cachet monogramme Infime restauration à la colle sur la base de l'éventail Haut. 20 cm Déclaration CITES n° FR1907519765-D

Result 16,000 EUR

191 - KIPLING (Rudyard). - The Jungle Book. -- The Second Jungle Book. Translated from the English by Louis FABULET and Robert d'HUMIERES. Paris, Société du Livre contemporain, 1918/1919. 2 parts in a large in-4° volume, dark green morocco, large personalized cold-stamped gilt decoration on covers, ornate smooth spine, gilt edges on witnesses, brown box lining with gilt decoration, color illustrated cover preserved, green half-maroquin folder with small overlaps and slipcase (G. Cretté successor to De Marius Michel). Some text in red ink. 127 color compositions by Paul JOUVE, including seventeen hors texte, all wood-engraved by François-Louis SCHMIED, who also designed the page layout. Edition of 125 copies on Arches vellum reserved for members of the Société des Bibliophiles "Le Livre Contemporain", this one (no. 74) printed for Mr. Th. Revillon. A copy that retains its wide margins and is free of foxing. ONE OF THE FIRST BOOKS OF THE "ART DECO" PERIOD BY FRANÇOIS-LOUIS SCHMIED, WHO DID THE LAYOUT, TRANSFORMING THE PUBLISHER'S MODEL. A VERY FINE COPY IN A BINDING WITH PERSONALIZED DECORATION BY GEORGES CRETTÉ. From the library of Viscount Couppel du Lude.

Result 15,000 EUR

39 - [MARINE / AMÉRIQUE - MOUNT (William) & PAGE (Thomas)]. The English Pilot. The Fourth Book. Describing the West-India Navigation, from Hudson's-Bay to the River Amazones [] also a New Description of Newfoundland, New-England, New-York, East and West New-Jersey, Dellavar-Bay, Virginia, Maryland, and Carolina, &c [] By the Information of divers able Navigators of our own and other Nations. London, Printed for W. and J. Mount, T. Page and Son, 1759. Grand in-folio, basane brune, double filet à froid encadrant les plats, dos à nerfs (reliure de l'époque). Nouvelle édition. Une grande carte repliée in limina, 28 autres cartes marines, dont dix-neuf doubles ou repliées et neuf simples, et, dans le texte (68 pp., numérotées 1 à 66), nombreuses figures gravées sur bois (profils de côtes ou atterrages essentiellement). De la bibliothèque Captain John Troup, avec ex-libris manuscrit de 1765 en page de garde. Q uelques petits accidents à la reliure ; quelques déchirures, mouillures et taches sur les cartes. EXEMPLAIRE EN RELIURE DE L'ÉPOQUE de cet ATLAS MARITIME ANGLAIS qui fut le premier à donner aux navigateurs un profil des côtes de l'Amérique du Nord-Est. Sabin, 22616 ; Phillips, Atlases 1157 ; Verner Bibliography of the Fourth Book of the English Pilot 12 - Accidents avec manque au pied de la carte "A correct chart of Hispaniola with the Windward Passage" par Price - Marge courte et petis accidents en tête de la carte " A chart of the sea coast of New Foundland New Scotland New England New York New Jersey with Virginia and Maryland" - Marge courte avec manque en tête de la carte "A New and correct chart of The Trading Part of the West Indies" et déchirure en pied

Result 15,000 EUR

215 - SCHMIED (François Louis). Peau-Brune. From St-Nazaire to La Ciotat. Lyon, Société des XXX de Lyon, 1931. 2 volumes, large in-4°, green morocco, large personalized blue and silver paladium decoration on covers, smooth spine, gray morocco lining with same decoration, beige moire endpapers, and (for the vol. of sequels) green half-maroquin with band, double silver fillet around covers, cover preserved, gilt edges on witnesses, green half-maroquin folders with band, slipcases (Marot-Rodde). Two large plates and 119 color vignettes & headbands, wood-engraved by François-Louis SCHMIED. Issued in an edition of 135 copies on Arches vellum, this one (no. 22), printed for Monsieur William Vincens Bouguereau, ONE OF XXX HEAD NAMES, containing, unjustified TWO ADDITIONAL SUITES OF ILLUSTRATIONS, one in color, A SUITE OF "STATEMENTS" OF THE SECOND PLANCHE "L'oiseau replie ses ailes", and A FIRST VERSION "Présentations", preface by the author. EXEMPLAIRE UNIQUE ENRICHI de TREIZE AQUARELLES ORIGINALES SIGNÉES celles des 25, 26 & 27 août, 8, 14, 15, 18, 19, 20, 21 & 28 septembre (sur cinq planches montées sur onglet). Logbook of the "Peau-brune", the schooner on which SCHMIED set out, in the company of Jean DUNAND and his daughter "Zouzou", on a cruise from Saint-Nazaire to La Ciotat. He planned to sail around the world at the expense of a group of bibliophiles, to bring back illustrations for a forthcoming book. In his "Presentations", SCHMIED gives us part of his artistic testament: "[typography and illustration] try to be one, according to my sweet mania [...] Print is a constructive material, long studied and skilfully established, and it is inappropriate to decorate it with a crude graphic design [...] Perhaps I will be criticized for the apparent imbalance of my pages? Imbalance: no. Asymmetry: certainly, and I have a taste for it. It has always seemed to me that symmetry reflects a lazy mind that is content to invent only half or even a quarter of a work. Asymmetry requires a more sustained and varied effort [...]". Ex-libris W. Vincens Bouguereau. Cichocka, Gustave Miklos. Un grand œuvre caché, L25 (where some of Miklos's preparatory compositions for this work are reproduced).

Result 14,800 EUR

73 - D'APRÈS FERNAND LÉGER Face with hand on red background Ceramic Marked on reverse: Edition/Originale/de/F. LEGER/N° 2/Ceramiste/R. BRICE/BIOT.AM Minor chips Height 44 cm - Width 31 cm A certificate of authenticity from the Comité Léger may be provided at the purchaser's expense. Provenance: Attached to the work is the catalog of the Galerie Madoura exhibition in Cannes from March 25 to April 15, 1964, in which appears under no. 1 a "Visage à la main sur fond rouge" of similar dimensions, which is most probably ours.

Estimate 4,000 - 6,000 EUR

231 - 6 bouteilles PETRUS, Pomerol 1971 (es, J)

Result 19,111 EUR